Mamedov works of mercy and compassion that are so lacking today. Gelman deliberately brought the br

Today, the creative space Weavers (emb. Bypass, 60), subject to enhanced security measures sensational exhibition opens Icons, created Gelman, director of the Perm Museum of Contemporary Art.
It makes no sense to convince opponents of the exhibition is that there is nothing offensive to believers. All the pieces are placed on a special web-site the master and commented in detail. It is an attempt, and quite timid, prove to society that religious subjects are allowed in secular art. Whether it's Suprematist work of Alexander the master Deesis Sihutina, ekspressionistichnyy Apocalypse George the master Ostretsova, Trinity wrought metal Dmitry Gutov, gloomy iconostasis Cyril Ilya Gaponova Koteshova. Bible stories remain relevant in our world torn by social, religious and moral conflicts.
This speaks directly Gospel project of Dmitry Vrubel and Victoria Timofeeva, a series of paintings where quotations from canonical texts illustrated with pictures from news feeds television and the Internet. For 2000 years, people and relationships between the master them, little has changed. By the way, the show in St. Petersburg, the Gospel of the project took place recently, in 2010, KC red flag.
I did not cause any protests. Just two years ago quietly in the New Museum was exhibited a series of photographs Rauf Mammadov. At his request, evangelical scene played by people who suffer from Down syndrome. The exhibition Icons shown one of the photos Last Supper. Only a biased viewer can find in these works insult believers.
Mamedov works of mercy and compassion that are so lacking today. Gelman deliberately brought the brackets exhibition of works that use Christian imagery to criticize consumer society. Society in which the deity for millions of people is another new product. Remember that passion is worldwide release new tablet. As children from an early age to sit down and fast food, artificial drinks.
Especially the master not on the Icons exhibition works that criticized the desire of the church to replace the master the CPSU and determine our whole life of the school curriculum to what can be put, staying at home. Post and church art and wider society and the church probably sound great in the discussion program that will accompany the exhibition three weeks.
For serious account, the exhibition brought to St. Petersburg the master for the meetings with the audience of historians, cultural scientists, publicists. Selection of Works organizers did everything to talk was the most quiet. The agenda is clear. Russian the master premiere rock opera Jesus Christ Superstar was held in 1990, 20 years after the world premiere. Then the authors exposed the setting in promoting religion.
After 20 years they were charged with blasphemy. Who are the people who call themselves differently, the fighters for morality, the trade unionists, the Cossacks and the need to prohibit the exhibition, to censor, where they will belong to a casting vote? This handful of outsiders, eager PR at any cost, or they reflect the opinions and needs of society? By the way, censorship has actually touched the exhibition Icons.
We know that in mid-March, when members of the FSB discussed with the organizers of the security during the exhibition, they offered to show them the picture works. It does not matter were hints something to remove the master or not.
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